Nominated for her comic turn in An Education, Rosamund Pike caught up with us after this year’s British Independent Film Award, having narrowly lost out to Anne Marie-Duff for Nowhere Boy.

Rosamund explains how she finds there is less cynicism in independent cinema, and that when she watches big studio productions, she often finds that the characters get lost – as the sets get bigger and the budget gets larger, they seem to be developed less, which is the antithesis of the ethos behind independent film.

She also explains how she has recently completed another independent film in Canada – demonstrating her dedication to the promotion and support of art house films across the world!

Related articles

  • Take A Nostalgic Trip In The Hot Tub Time Machine: ...how the contemporary Hollywood bigwigs clearly grew up in the 80s, and as such are pumping out adaptations of shows and movies that were popular in their youth: G.I. Joe, Karate Kid etc etc. I’m now wondering what the catalogue of the 90s and 00s will look.....
  • Salt…Definitely Sweet: ...how the contemporary Hollywood bigwigs clearly grew up in the 80s, and as such are pumping out adaptations of shows and movies that were popular in their youth: G.I. Joe, Karate Kid etc etc. I’m now wondering what the catalogue of the 90s and 00s will...Review:...
  • Review: Salt – Putin on a brave face: ...how the contemporary Hollywood bigwigs clearly grew up in the 80s, and as such are pumping out adaptations of shows and movies that were popular in their youth: G.I. Joe, Karate Kid etc etc. I’m now wondering what the catalogue of the 90s and 00s will look.....